El Lissitzky Business Lounge

parametric architecture, undulating ceiling, lamella wood construction, oak veneer, honey amber tones, turquoise glass installation, crystalline formations, business lounge interior, contemporary hospitality design, curvilinear banquette seating, charcoal leather upholstery, terrazzo flooring, cream neutral ground, integrated lighting, twilight atmosphere, blue hour exterior, floor-to-ceiling glazing, aviation terminal aesthetic, organic parametricism, computational design, warm-cool chromatic contrast, biomorphic forms, concentric elliptical patterns, topographic ceiling, light oak furniture, metallic pedestal bases, satin finish wood, translucent teal elements, sophisticated minimalism, flowing spatial continuity, intimate alcove seating, rhythmic repetition, natural material palette, diffused ambient lighting, reflective surfaces, contemporary luxury, scandinavian material influence, acoustic lamellae, elevated hospitality experience, contemplative atmosphere, harmonious material dialogue, refined craftsmanship

The new terminal is designed in Russian constructivist style. The imposing ceiling in the lounge is a representation of the supremacist style of El Lissitzky which he called Proun, "the stage where someone changes from painting to architecture". By adopting the architectural columns in the ceiling design it was possible to divide the lounge into zones. The large mirror wall at the end of the lounge makes the movement become infinite. In reference to painting Victory over the sun.