Clay Moulded Musical Theatre

architectural interior, performance hall, auditorium seating, terracotta palette, burnt sienna, raw umber, ochre, caramel, amber, clay-inspired texture, undulating surfaces, horizontal striations, geological strata, sedimentary patterns, organic modernism, contemporary architecture, biomorphic design, acoustic space, triangular geometry, angular panels, tiered seating, warm monochrome, earth tones, tactile surfaces, dimensional relief, diffused illumination, soft shadows, textile upholstery, material harmony, spatial rhythm, visual continuity, crafted surfaces, tectonic expression, contemplative atmosphere, enveloping space, cultural venue, performing arts, sculptural walls, warm ambient lighting, sophisticated composition, monumental scale, unified palette, organic geometry, natural materiality, immersive environment, sensory architecture

For the interior decor, the designers chose an archaic material, clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravicius. All planes are in motion. They open and close, depending on the nature of the concert and the acoustics required; that's what makes this space even more unique.